New York, 27-1-72.Īlan Rubin, Marvin Stamm (tp-flic) Garnett Brown (tb) Hubert Laws (fl) Romeo Penque (fl) Phil Bodner (fl-cl) James Buffington (fh) Bob James (p) Jack Knitzer (bassoom) Gloria Agostini (arpa) Harry Cykman, Max Elen, Paul Gershman, Emanuel Green, Harry Lookofski, David Nadien, Gene Orloff, Irving Spice (viol) George Koutzen, Charles McCraken, Lucien Schmidt (cello) Ron Carter (b) John Tropea, Billy Cobham (dr) David Friedman, Ralph McDonald (perc) Lani Groves, Debra Laws, Eloise Laws, Tasha Thomas (vc) Wild Flower / Pensative / Equinox / Ashanti / Motherless Child / Yoruba. Hubert Laws (fl) Gary Burton (vib) Ron Carter (b) David Nadien, Bernard Eichen, Paul Gershamn, Harry Lookofsky, Guy Lumia, Gene Orloff, John Pintavalle, Matthew Raimondi, Aaron Rosand (viol) Julien Barber, Selwart Clarke, Harold Coletta, Richard Dickler, Harry Zaratzian (viola) Seymour Rabat, Richard Bock, George Ricci, Alan Ahulman (cello) Chick Corea (p) Airto Moreira (perc) Mongo Santamaria (conga) Bernard Pretty Purdie (dr). Pavane / Rite Of Spring / Syrinx / Brandenburg Concerto n.3, First Movement / Brandenburg Concerto n.3, Second Movement.Įnglewood Cliffs, N.J., 8-25 Giugno 1971. Hubert Laws (fl) Bob James (p) Dave Friedman (vib-perc) Gene Bertoncini, Stuart Scharf (g) Jane Taylor (bassoon) Ron Carter (b-cello) Jack DeJohnette (dr) Airto Moreira (perc). (bassoon) Bobb James (p) Gene Bertoncini (g) Ron Carter (b-cello) David Friedman (vib) Fredrick Waitts (dr) Richard Landrum (perc).įire And Rain / Allegro From Concerto n.3 in D / Theme From Love Story / Passacaglia In C Minor / Flute Sonata In F. La Jean / Love Is Blue – Sing A Raimbow / Crying Song / Listen To The Band / I’ve Gotta Get A Message To You / Feelin’Alright / Cymbaline / How Long Will It Be / Let It Be. No More / If You Knew / A Day With You / Please Let Go / Shades Of Light / Trio For Flute, Bassooon And Piano / Windows.Įrnie Royal, Marvin Atamm (tp) Garnett Brown, Tony Studd (tb) Hubert Laws (fl) Bob James (p-org) George Benson, Reggie Young (g) Bobby Wood (p) Bobby Emmons (org) Lewis Eley, George Ockner, Gene Orloff, Raoul Poliakin, Max Pollicoff, Matthew Raimondi, Avram Weiss, Sylvain Shulman (viol) Charles McCracken, George Ricci (cello) Ron Carter (b) Billy Cobham, Grady Tate, Gene Crishman (dr). Hubert Laws (fl,piccolo) Jimmy Owens (tr) Karl Porter (bassoon) Chick Corea (p) Roland Hanna (harpsichord) Kenny Burrell (g) Sam Brown (sitar) Ron Carter (b) Chuck Rainey (b/el) Grady Tate (dr) Melba Moore (vc) Martin Banks (tp-flic) Jimmy Owens (tp) Garnett Brown, Benny Powell (tb) Hubert Laws (fl) Chick Corea (p) Rodgers Grant (p) Chris White (b) Ray Lucas (dr) Carmelo Garcia (perc) Victor Pantoja (conga).īloodshot / Mean Lene / No You’d better Not / Home Folks. Hubert Laws (fl) Armando Corea (p) Richard Davis (b) Jimmy Cobb (dr).Īll Soul/ Bessie’s Blues/ And Don’t You Forget It/ Capers.

Miss Things/ Black Eyed Peas & Rice/ Bimbe Blue.

Hubert Laws (fl) Armando Corea (p) Richard Davis (b) Bobby Thomas (dr). E’ uno dei pochi flautisti ha essersi dedicato completamente e solo a tale strumento, che suona con stile molto classico ed in modo elegante e raffinato. Ha spodestato Herbie Mann dopo tredici anni di leadership nel sondaggio del Down Beat. Musicista dalla ottima tecnica, ha anche tentato di adattare il jazz la musica di Bach e Mozart con un certo successo. Dal 1971 al 1974 ha fatto parte della New York Philarmonic. Ha inciso con Wess Montgomery, Helen Merrill, con Dick Katz nel 1968, Gil Evans, Herbie Hancock, Count Basie, Paul Desmond, Quincy Jones, con Monty Alexander nel 1970, Joe Zawinul, Freddie Hubbard, con McCoy Tyner nel 1978, Kenny Burrell, Weather Report, Ron Carter, Milt Jackson, Jaco Pastorius, Chick Corea, Ella Fitzgerald. Si trasferisce a New York dove ha lavorato in studio, con John Lewis, l’Orchestra USA, con Gunter Shuller nel 1964, Sergio Mendez, Jay Jay Johnson, Lena Horne, Aretha Franklin, Roberta Flack, Benny Golson, Jim Hall, James Moody, Clark Terry, Jimmy Cleveland, Richard Davis, Erskine Hawkins. Trasferitosi con il gruppo a Los Angeles ha colto l’occasione per iscriversi al Los Angeles State College e quindi alla Julliard School of Music. Nello stesso tempo ha studiato alla Texas Southern University. Nato in una famiglia di musicisti, ha studiato alla Phyllis Wheatly High School e nel 1953 ha ottenuto il primo ingaggio nel Modern Jazz Sextet, che in seguito prenderà il nome di Jazz Crusaders.

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